Debunking the Morano Climate Change Video
An inoculation from viral videos might not seem necessary, but let’s say you are talking to someone who’s thoroughly convinced by one that ...just seems wrong. Let’s say, you would like to do it with a clear head, instead of boiling one another’s blood or Snoozing them on Facebook. That’s how I felt when I decided to try setting aside bias a mere two minutes to watch one, promoting a best-selling book, The Politically Incorrect Guide to Climate Change.
Aside from greed or ignorance, if such a book, as penned by long-time and some say, infamous, climate change denier Marc Morano serves a benevolent purpose, it should be that of reason. After all, alarmists and inaccurate facts are the target, in the service of a saner approach. You're welcome to make your decisions as to the motives of The Daily Signal.
I certainly didn’t want to counter with, say, another viral video. My theme is, ‘we’ve got to apply some rigor to thinking for ourselves, rather than grab pre-fabricated totems for meaningful answers.’
So let’s dive in. The video's quite easy to find. https://www.facebook.com/TheDailySignalNews/videos/the-lefts-myths-on-climate-change/856581877882740/
Respectfully, bringing up Gore here- if he jumped to a conclusion, as stated, about global warming, without a scientific consensus- doesn't negate what NASA has compiled. You may be familiar with- and can easily find, if you have time- its list supporting consensus from numerous scientific organizations. There is room for examining those, like you could examine the Cato Institute and ask if their funding affects their policies. But the factual presentation here has logical holes.
If one study involved 77 scientists, that's one study in a broader consensus of a larger number from which 97 % is derived- so that's not a useful piece of a logical argument.
There are, indeed, hundreds of factors contributing to a plus .8 degrees Celsius difference since 1980. In places, i.e. islands, where there's a verifiable and threatening change, we could look at that multitude. It's a dynamic planet, for sure. Bear in mind, this gentleman has a B.A. in Poli Sci, not an advanced science degree. It would be risible to say there's not a profitable vein in publishing a contrary argument. I've no desire to insult anyone's intelligence- that's contrary to communication- but this video doesn't pass muster, when Science is the standard evoked. (In candor, I have two B.A.'s in languages and only a modest, gentlemanly knowledge and curiosity about sceince.) That NASA compilation's here: https://climate.nasa.gov/scientific-consensus/ .
There’s room for debate. But this video, in my opinion, caters to irrationality, which is the very quality it purports to debunk. There are strong words already out there about the motives. There’s always a serious consideration in balancing benefits to mankind with the viability of our ecosystem. It would be consequential- horrendously, so- to find out we’ve heeded the wrong voice: after alarmists have destroyed a community’s economy, or after skeptics have witnessed the bet they never took pay off in the death of the planet.
Before I could even get to the book itself, I’m confronted with this piece of poorly-reasoned propaganda. It predisposed me to think the book’s costumed in Reason. (The dramatist in me wants to say, ‘the masquerade, however, may prove at midnight to be the Mask of the Red Death.’ But that’s polemic territory. Let’s take the harder route of getting people invested in the satisfaction of using Reason. There’s plenty of fiery arguments in the blistering service of defending one line of reasoning or the other. At some point, a grill doesn’t need more fire- it’s ready for meat. It's time to get cooking.)
As you know, Science is about, for one, correlations, puzzles, data compilation- through the rigor of Scientific Method. It's not unusual -especially where I live at present- to find a negative reaction to the general sort of thought that goes into exploring the world in a scientific fashion. We come very, very close to factual answers, but there's always an opening to unveil an understanding as dogmatic. It's more common yet to find people who want to argue with prevailing hypotheseses without applying but the barest rigor to the facts they favor. Not being an expert is something some people take really personally- not a fact, but a pretty verifiable observation.
In the department of Verifiable Observation? Here's a decent piece for we laymen to debate: https://www.sciencenews.org/blog/science-public/what-we-can-and-cant-say-about-arctic-warming-and-us-winters
If you would like to ponder the debate- and everyone’s free to join- at least consider the rationality of the argument you adopt. I know people on either extreme of the political spectrum who don’t want, really, to think for themselves. Perhaps they rely so heavily on the emotional satisfaction of a quick post meant to insulate them from the smarty-pants arguments or sheer volume of facts. It’s not often even a very intelligent person can accrue a considered, rigorous point of view on topics outside their professional or academic experience. It might be the fashion of the times to discard manners and flail at one another with a sort of fight-or-flight trigger, evoked. People feel personally besieged by their differences. Sometimes there are very real consequences and moral questions that can’t be reached beneath emotionally-charged rhetoric. A lot of things dress up in the guise- and some of the language- of reason. These mislead people who have the best of intentions-as well as many who only want an argument composed of a few facts to try to cudgel one another in an anti-social fashion. Not everyone you disagree with is worth under-estimation.
Well, enough said, on my part, for now. I hope, if you feel this way, think this way, you feel that much less alone in being reasonable. It’s not the only useful quality in Life. The climate issue- the environment- is one place worthy of Reason.
All the best.
Tuesday, July 31, 2018
Monday, July 30, 2018
Online English as a Second Language: the journey's begun
English: it’s integral to today’s human communication puzzle. A language cobbled together from so many predecessor tongues, English has transformed into a conveyance for commerce, technology, and world culture. With so many peculiar rules about phonics and grammar, an enterprising student goes through a lot of memorization and practice before unlocking the ability for word play, humor, and nuances.
Our character Lelle and the elephant I drew for my student Sea inspired him to try one, along with his other vocabulary like 'waterfall' and 'birds' and 'river'!
I practiced the language rigorously, in a creative and journalistic career founded on listening- to say nothing of writing a couple million words! My journey included feature writing, stories, comic books, a cartoon, and several books- plus years of journal entries, too. A friend suggested, while battling the vicissitudes and isolation of creative life, I should be teaching. When I discovered online classes, my world changed and brightened! Why not combine my love of foreign cultures and ability in English, to open a world of experiences for children?
There’s a beauty to going back to the basics, picking up these building blocks with tiny hands, making new expressions from its simplest forms. Quickly, I’ve gained recurrent students; their warm-hearted reception has been humbling. Some need lots of practice listening, coaxing. Some respond gleefully to my stuffed cast – Lelle, Sam, Sunny, Jabbit and Anne model concepts and words while seemingly coming to life. More than one child has picked up their favorite toy to say hello, back! Things I learned so long ago become new questions: I love working out the problem of how to convey them. "How do we explain this?" The process tests my ability to improvise. My days learning foreign language come into play: it is healthy to re-discover how everything from hello to complex, abstract thoughts are spoken in a new tongue. It reminds me of the challenge my students face, new to the world of English. They have fun, gaining confidence. So long as they don’t give up, hey, neither will I.
English: it’s a tricky business. To be such a crazy patchwork of rules and word roots, it’s become ubiquitous in the global village. What a child needs is a kind friend to coach him or her through its seemingly arbitrary changes. Some student I teach will master making jokes, or tackle some pressing engineering problem, or negotiate trade, practice law. Perhaps they will feel more confident, traveling, or even living abroad! When these hard-working parents pay for our aid, they are asking us to remove fears and doubts, replacing them with knowledge, hope. How wonderful to reach across borders and increase understanding!
I waited all my life for this unique chance. Thank you, Dada & Say ABC: the wait is over.
(If anyone wants to write me for a referral, just comment and we'll get that working! I just thought of it, lol)
Our character Lelle and the elephant I drew for my student Sea inspired him to try one, along with his other vocabulary like 'waterfall' and 'birds' and 'river'!
I practiced the language rigorously, in a creative and journalistic career founded on listening- to say nothing of writing a couple million words! My journey included feature writing, stories, comic books, a cartoon, and several books- plus years of journal entries, too. A friend suggested, while battling the vicissitudes and isolation of creative life, I should be teaching. When I discovered online classes, my world changed and brightened! Why not combine my love of foreign cultures and ability in English, to open a world of experiences for children?
There’s a beauty to going back to the basics, picking up these building blocks with tiny hands, making new expressions from its simplest forms. Quickly, I’ve gained recurrent students; their warm-hearted reception has been humbling. Some need lots of practice listening, coaxing. Some respond gleefully to my stuffed cast – Lelle, Sam, Sunny, Jabbit and Anne model concepts and words while seemingly coming to life. More than one child has picked up their favorite toy to say hello, back! Things I learned so long ago become new questions: I love working out the problem of how to convey them. "How do we explain this?" The process tests my ability to improvise. My days learning foreign language come into play: it is healthy to re-discover how everything from hello to complex, abstract thoughts are spoken in a new tongue. It reminds me of the challenge my students face, new to the world of English. They have fun, gaining confidence. So long as they don’t give up, hey, neither will I.
English: it’s a tricky business. To be such a crazy patchwork of rules and word roots, it’s become ubiquitous in the global village. What a child needs is a kind friend to coach him or her through its seemingly arbitrary changes. Some student I teach will master making jokes, or tackle some pressing engineering problem, or negotiate trade, practice law. Perhaps they will feel more confident, traveling, or even living abroad! When these hard-working parents pay for our aid, they are asking us to remove fears and doubts, replacing them with knowledge, hope. How wonderful to reach across borders and increase understanding!
I waited all my life for this unique chance. Thank you, Dada & Say ABC: the wait is over.
(If anyone wants to write me for a referral, just comment and we'll get that working! I just thought of it, lol)
Monday, July 9, 2018
Who Was Steve Ditko, To Me?
First, thanks to cartoons, I grew up playing I was Peter Parker a lot of times when I wasn't playing Spider-Man. I remember talking to myself in imitation of the thought-voice-over effect. I remember going to the bathroom in the middle of a sermon, stripping off my Sunday best, hanging up my clip tie, and rushing out into the church parking lot in my Underoos Spider-Man shirt to save the congregation from the Green Goblin.
Somehow, Spider-Man was my choice for my third and fourth birthday cakes. The cake's my first clear memory- I have been a Spider-Man fan longer than I can literally remember! (Popeye got the nod on #5.) Ditko's art adorned my much-beloved Spider-Man punching bag, too.
I drew superheroes, but especially Spider-Man, it seems like, all the time. The familiar costume design, I tried duplicating in untold homemade costumes. The mystery of the padlock on the dog pen was solved (and caused) by, the note said, "Your Friendly Neighborhood Spider-Man!"
The concept of a teen with spider-inspired powers seems to have arisen with scripter Stan Lee. The split-face Spider Sense visual, the Spider Signal in his belt, Spider Tracers (invaluable in tracking villains who think they're getting away), and most of all, the double-tap, "I love you" sign language finger contortion activating that signature Spider device, the web-shooter all go back to Steve Ditko. His studio mate at the time, a bondage artist named Eric Stanton , once claimed credit for the webbing, and I think, the shooters. Here's what's undeniably Ditko: look at Spider-Man move! If you want to figure out how to draw Spider-Man- not just a man in his costume, but his unique poses- realize every Spider-artist has looked back to that three years- plus initial run. Agility, fighting style, and the sometimes unnerving ways he paces on the ceiling and furtively sneaks about: Steve Ditko's drawings gave Spider-Man, life!
To say nothing of how much Peter is the image of his creator's high school year book pics.
HEre's the page where the famous suit and web-shooters debut, during his origin story, Amazing Fantasy #15 (Aug. 1962).
Want to hear Steve Ditko? I know of no other recording of his voice. It's here:
Peter's clash with the dog-eat-dog freelance world, centered around the whims of the capricious, verbally-hectoring, sneaky, lying, upstanding citizen, Daily Bugle publisher J. Jonah Jameson, was absolutely money. Readers have long loved to hate JJJ, whose hatred of our hero is practically a clinical condition! But from the first year, some humanizing glimpses suggested a sympathetic portrayal beneath the buffoonery inspired by his greedy crusade to smash Spider-Man. He's awful, but he has redeeming qualities. Funny as Spider-Man is, riling him up, JJJ sometimes brings the worst out in Peter. Nobody's perfect! I have to say 1) there's a touch of realism planted here, regarding autocratic work places, and 2) the older readers became, the more I suspect they began to better understand our favorite crew-cutted baboon. He was Ditko's statement not only on tabloid journalism, but corporate greed at large. JJJ is both an enduring supporting character and a satirical dig at power and propaganda.
This was my first pure introduction to Ditko, thanks to View Master. My busy Dad had taken me out of our crowded house for a rare afternoon out together. That View Master and its three slides gave me hours of entertainment. Every frame was drawn by Steve Ditko. Steve's work gave a lot of parents, I suspect, a way to show their love.
With the reprint of this issue- the beginning of the Master Planner Trilogy-I began collecting Marvel Tales every month. I had almost a year of Ditko stories, counting the annual, to discover and enjoy. I did, too! Dated clothing styles and abrasive personalities were all simply taken into account as the lay of the land. I was just as excited to get my Marvel Tales on as I was by any new comic- often, much more! It took quite a while to make my pilgrimmage through all of Ditko's issues, but I finally did.
Ditko's designs and unique way of telling and setting up confrontations (and there's always a lot of conflict, between most people in Ditko stories, really) established a set of villains known to generations. They each came about with unique back stories. Here, one dozen of the most famous villains:
The Vulture (#2). Doctor Octopus (#3). Sandman (#4). The Lizard (#6). Electro (#9). The Enforcers (#10). Mysterio (#13). The Green Goblin (#14). Kraven The Hunter (#15). The Scorpion (#20). The First 'Spider-Slayer' robot commissioned by JJJ (#25). Those are some memorable super-villains! I might go one further and say, Molten Man (#28). Meanwhile, disguise master The Chameleon (#1), The Tinkerer (#2, albeit in a story that seemed to be about aliens!), The Living Brain robot (#8), inventor Norton G. Fester, the Looter (#36), a Guy Named Joe (#38) and inventor Mendell Strom (#37) round out the antagonists, along with a character I think Ditko created to fight Hulk, The Ringmaster (and his Circus of Crime, in Hulk #3) and The Beetle (fresh from a Human Torch spot in STrange Tales #119 think it was).
Childhoods have hosted some sampling of those guys- especially the ones above Molten Man, there- every since. That's a lot more designs to put out to the world. This was all done by 1965, the stellar villains I mentioned. Think about that.
I wonder if something about his mystical Dr. STrange journeys caused him to react even more strongly to, and embrace, Objectivism? A= A is a different philosophy than tales of black magic and battles of planes beyond those precious objective, quantifying senses.
"Unique"- I keep coming back to the word! HOw do you decide a man made of sand, fights? I've not even touched upon the intentionally-all-made up mysticism of Dr. Strange. Doc, I came to appreciate as an adult.
There's a lot of scholarship on the whole story- it would be great to actually know the entire process that brought each issue about, though by 1966, Lee described his contribution as more like "a crossword puzzle I'd fill in"- Steve conceived the plots and drew everything before his writer/ editor had even begun. That's where the collaboration ended up; that's documented. Those first two years- that's so much intellectual property. It's more than the sum of its parts, and that's undeniable, even as we puzzle over them. I am not trying out that rabbit hole- this is for someone who would like to know a bit more about this Spider-Man creator that died. If you never heard of him before July 7th, that's practically by his choice as much as by the press' affection for Stan Lee.
He gets more recognition in comics circles for his creative visual invention and serious, philosophy-inspired plotting than for the fact that, as an illustrator, the man's a terrific comedian.
With Jack Kirby on pencils, Steve inked the first true Marvel Team Up, a Human Torch story called "On The Trail Of Spider-Man" from Strange Tales Annual #2, 1963. That month saw the first two annuals with new material in the Marvel Age, the other being Fantastic Four Annual #1.
Steve Ditko's stint on Tales of Suspense gave us the red and gold template that became classic Iron Man.
He was bulky and golden, his first few appearances. The second tone and design, from Tales of Suspense #48, heralded the definitive Iron Man look.
Ditko gave us an transformed-by-emotion Hulk, at last. Bruce Banner went through many triggers (a self-made ray gun, night fall) for his change. It's during a Ditko issue the familiar manner of Banner's distress causing him to turn into the Hulk, debuts.
It's Ditko who gave us the second Blue Beetle, who became a beloved character over which I bonded with the best of friends. The same character inspired Nite Owl. It's fair to say Ditko's characters at Charlton, recreated anew out of proprietary necessity, became part of the single most influential storyline in comics after the architecture of fundamental Marvel, in The Watchmen by Alan Moore and David Gibbons.
Even Destructor at Atlas started out kind of cool and different, though the kind of legacy Image, Dark Horse or Valiant generated was not to be theirs. His friend Jack C. Harris displayed several pages of Batman concept drawings when he pitched for Detective in the late 1970s. "The powers that be said his concepts were too violent," Jack said. So, there were other ideas yet which never came to be!
The Question was his street-level Objectivist vigilante, the Charlton answer to his own Mr. A. A = A is the prime tenant of Obectivism, a philosophy the artist fully adopted in 1965.
ON the other end of Logic, there lurks the seeming madness of The Creeper, his DC creation.
I found him monthly in the last year's publication of Rom, which I bought while I was eleven. Terrific inker combos, stories that excited me. I was sorry to see Rom and Ditko go. But I'd finally see Rom again, ten years after Earth's final stand against the Dire Wraiths. I'd buy as many issues as I could find for a dime each, and my wife would make them her very first favorite series to read.
Mr. Ditko gave us Serling-flavored tales with surprising subtlety, from his first Timely assignment in 1955. He continued through the MOnster Age. Of note is the science fiction-twist anthology that settled on the name Amazing Fantasy, whose last issue gave us a throwaway character called Spider-Man. How novel, they thought, to do one of these Twilight Zone object lessons as the origin of a super powered guy who doesn't become a hero until, in his eyes, it's too late.
That was the only Spider-Man story Lee and Ditko had planned, you know.
The rest came along by demand.
Over a lifetime, I've spent more time drawing his Spider-Man design than any other single subject this side of my spouse. He created the other face, for our boundless energy, selflessness, and bravery. Then, a year later, his new idea, Dr. Strange, in eleven page monthly segments, depicted a mature man, dealing with criminals, but more readily engrossed in another face for our entire reality!
I don't wish to steal Ditko's words by way of quoting, but I want to make it clear he's Dr. Strange's intial creator:
Lee's comment (from The Comics Reader, 1963) that it was "Steve's idea" is confirmed by Ditko in The Avenging Mind (2008) where he writes: "On my own, I brought in to Lee a five-page, penciled story with a page/panel script of my idea of a new, different kind of character for variety in Marvel Comics. My character wound up being named Dr. Strange because he would appear in Strange Tales." The phrase "wound up" suggests that when Ditko brought in his five penciled pages to Lee, unsolicited, the hero's name was not "Dr. Strange" -- though what he was called at that early stage is not known (unless it was "Mr. Strange")
The name "Dr. Strange" was originally used by Stan Lee in Tales of Suspense #41, for an early, lost Iron Man villain- so it's likely he coined the "Doctor STrange" moniker so it'd fit with the anthology's title, STrange Tales. We may never exactly know.
Steve Ditko and STan Lee populated those dimensions with the dark side of our own passions, brought to rout only after great courage, curiosity, scholarship, meditation, and always, intitiative.
What I'm thinking about is, the heroes Ditko made creatively stood apart from humanity. They felt a loneliness. Often, little thanks or recognition came their way. Ditko wanted to illustrate and write mystery men. Authentically, he chose to become one.
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